奇諾崗美術學院 Chino Valley Art Academy

    奇諾崗美術學院   2016 年度各級美術班上課時間表

    Chino/Chino Hills/Eastvale/Norco/Corona  

            
奇諾崗美術學院 重視每個孩子的繪畫心理發展，使能盡情發揮自我的創造力。

 兒童潛藏著無限的創造力，藉由系統性、多元化的藝術創作練習，

將更能開發每個兒童心中的藝術特質及獨立自主的思考能力。

 本班推出全新兒童美術教學課程，以美術基礎養成為中心主軸，

 培養兒童的視覺感知力，讓有趣的故事來增加藝術的鑑賞能力，

再以素描、水彩、漫畫、等不同的表現形式，來反應心中的藝術體驗。

不管以後想唸美術設計學校，成為藝術工作者，

還是只當個有品味的藝術愛好人，奇諾崗美術學院是您最值得的選擇~!!

目前學院正在招生中。招生的範圍有；兒童創意美術班、繪畫初級班、中級班、高級班

                               成人班以及 藝術設計大學申請 portfolio製作班。

教學內容：兒童創意美術、兒童繪本創作、創意黏土、基礎素描、透視概論；

素描初級班 結構素描、素描中級班、高級班；色彩入門、色彩理論；

水彩、油畫、實物觀察及寫生；中國畫；平面設計；平面立體構成等。
 

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兒童創意美術班   

招生對象： 4-10歲, 幼稚園以上以及國小低年級

課程內容：

課程主要採小班教學模式,針對加強小朋友的小肌肉和手眼協調的能力,

 透過利用油蠟筆、水彩、剪紙拼貼等,以簡單圖形和線條進行創作。 

 課程包含水彩、鉛筆素描、粉彩、立體黏土、日本卡通…多元課程激發小朋友的創造力！  

上課時段:    星期三 2-4pm 4-6pm
                 星期四 2-4pm 4-6pm 星期五 4-6pm 6-8pm
                 星期六 10-12pm 1-3pm 3-5pm
                 星期日 10-12pm 1-3pm 3-5pm
 

上課時間:每堂2小時,每週一次

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初級中級素描,進階油畫班    

招生對象: 11-18歲學生 

課程內容：

課程主要設計為基礎素描,空間概念養成和高階人物寫生油畫訓練

上課時段:    

                 星期三 2-4pm 4-6pm
                 星期四 2-4pm 4-6pm 星期五 4-6pm 6-8pm
                 星期六 10-12pm 1-3pm 3-5pm
                 星期日 10-12pm 1-3pm 3-5pm

上課時間:每堂2小時,每週一次

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 成人繪畫班    

招生對象: 18歲以上成人

課程內容：本班為對繪畫及藝術有興趣,或是藝術設計職場再深造
                針對個人來設計課程內容,內容有素描,工筆畫,油畫,插畫,

                或是繪畫相關領域研究

上課時段:  

                 星期三 2-4pm 4-6pm
                 星期四 2-4pm 4-6pm 星期五 4-6pm 6-8pm
                 星期六 10-12pm 1-3pm 3-5pm
                星期日 10-12pm 1-3pm 3-5pm

 上課時間:每堂2小時,每週一次 

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申請藝術設計大學 Portfolio 製作班
 

招生對象：青少年或申請大學藝術相關科系

課程內容：

 本課程設計,針對想學習平面設計,插畫,動漫,基礎繪畫設計,人物角色設計的學生, 

 刺激學生的創意，進而能應用於相關設計實作。

 教授獨立創作人必須具備之專業知識及技術,

 包含申請大學美術科系portfolio的前期指導與準備.

上課時段: 請來電詢問 

現在繪畫班正在熱烈招生中,敬請來電詢問~!!

報名電話:  Kevin老師: 626-390-6268   

學校網站 : http://www.chinovalleyart.com/

Email:chinovalleyart@gmail.com  

上課地點:   Diamond Bar/Chino Hills/Chino學區
                <CHINO學校> 3833 Schaefer Ave. Unit G , Chino, CA 91710

                    
                     Eastvale/Norco/Corona學區
                <NORCO學校>  2200 Hamner Ave. Suite 103,Norco,CA92860

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                             Chino Valley Art Academy

Teacher Kevin Chiang:

Academy of Art University (M.F.A), CA U.S.A

Art Instructor of San Jose- Achieve Learning Center

Art Instructor of Cupertino-Academy of Chinese Performing Arts school

ChinoValleyArtAcademy offers a powerful combination of kid’s arts and academics. Our classes are a comprehensive roster of applied, creative drawing and academic painting for artists in grades pre-k thru 18 and up. All classes are devised and taught by professional teaching artists. Each of our extraordinarily talented students pursues expert training in our core arts disciplines, Student success is at the very core of what we do, and therefore our primary concern is to help student reach their highest potential as an young artist !!

Classes:  Creative Kids Art, Basic Drawing Class, Advanced Painting class,     Portfolio preparation, Adult Painting Class       

Course:          Children Art Class:Creative Kids Drawing /Kids Clay / Visual Storytelling Inspiring

                     Advanced Art Class: Sketching /Oil Painting / Color Theory / Life Drawing

                                  Watercolor/ Mixed Media/Chinese Painting,

  Portfolio Class: Graphic Design / Cartoon Character Design/ Illustration.   Anatomy Drawing/Environment Design 

Class Time: Wednesdays-Thursday 4:00 - 6:00pm 

                       Friday 4:00-6:00pm  6:00-8:00pm
 Saturday-Sunday: 10:00-12:00 pm 1:00-3:00pm  3:00-5:00pm  5:00-7:00pm

Call for free trail class : (626)390-6268    (626)833-0835

Class location:

                <Chino School>

                       3833 Schaefer Ave. Unit G , Chino, CA 91710 

               <Norco School>

                       2200 Hamner Ave. Suite 103 , Norco, CA 92860 

Visit our website: http://www.chinovalleyart.com/

Email:chinovalleyart@gmail.com 
 
 

 日本著名的浮世繪畫家歌川廣重(Utagawa Hiroshige, 1797-1858)晚年的作品《名所江戶百景》。

歌川廣重直到死前都還在持續繪製，最後是由二代廣重集結出版。

浮世繪是日本的一種繪畫藝術形式，
起源於17世紀，主要描繪人們日常生活、風景、和戲劇。
浮世繪常被認為專指彩色印刷的木版畫（日語稱為錦繪），但事實上也有手繪的作品。

而 「浮世」是指當時人們所處的現世，
即現代、當代之類的意思，因此浮世繪也就等於描繪世間風情的畫作。

cite from: http://sungoodbooks.pixnet.net/blog/post/28821923

Hiroshige: Visions of Japan

Drawn from the Norton Simon Museum's extensive Japanese woodblock-print collection, Hiroshige: Visions of Japan features approximately 175 prints by Utagawa Hiroshige (1797-1858), one of the most celebrated and prolific artists of his time.

Hiroshige was born Andō Tokutarō in Edo (now known as Tokyo) in 1797. Around 1810, he was accepted as a student by Utagawa Toyohiro, a master artist of the Utagawa school of designers, print-makers and painters. Under Toyohiro's tutelage, the young artist honed his skills in the genre of ukiyo-e, or "pictures of the floating world." The school's successful apprentices formally adopted Utagawa as their surname and received new given names; by 1813 Andō Tokutarō had officially become Utagawa Hiroshige.

The landscape print, a late ukiyo-e development, was introduced by Katsushika Hokusai (1760-1849). Hiroshige was greatly influenced by Hokusai's famous series Thirty-Six Views of Mount Fuji (1823-32), depicting Japan's famous volcano, which was visible from Edo. Landscape prints-known as fūkeiga-became popular in Japan following a rise in leisure travel, a phenomenon that drove a demand for illustrated guidebooks, topographical views and souvenir pictures.

Hiroshige's own revolutionary series, Fifty-Three Stations of the Tokaido Road (1833), presents scenic landscapes along the famous highway that linked Edo to Kyoto. The Tokaido Road followed the coastline from Edo, the administrative capital of the shogunate in the early 17th century, west to Kyoto, the imperial capital of Japan since the 8th century. Affording spectacular, picturesque views of the craggy coastline, the Tokaido was used by large retinues traveling back and forth from Edo, as well as merchants, religious pilgrims and tourists. Hiroshige's series, on display in the present exhibition, established his reputation as the foremost artist of the topographical landscape print.

Other highlights of the exhibition include more than 20 bird and flower prints. Exotic birds were popular in Edo, and many teahouses and public gardens boasted large aviaries. Hiroshige's lyrical depictions of birds with flowers or other natural elements are often paired with haikus or poems, as with Sunrise, Falcon on Pine Tree: "At sunrise on New Year's Day/ Throughout the nation/There are no boundaries."

Hiroshige produced his own version of Thirty-Six Views of Mount Fuji shortly before his untimely death on October 12, 1858. Unlike Hokusai's series, Hiroshige's views of Mount Fuji from the surrounding countryside are vertical; this provided the artist with a new orientation and perspective with which to present his unique vision. In the evening scene Fuji from the Sumida Embankment, the volcano, off in the distance, is in shadow. A group of three geisha, visually interrupted by a tall cherry tree, have disembarked from their pleasure boat to enjoy the spring blossoms.

Hiroshige's last great series, One Hundred Famous Views of Edo, is a tribute to his home city. At first glance, the interior scene Asakusa Ricefields and Torinomachi Festival appears to be a fairly simple composition of a white cat sitting on a window ledge. In the distance, a large procession has congregated to celebrate Torinomachi, the Festival of the Cock, a time when owners of entertainment venues such as restaurants, tea houses and brothels prayed for prosperity. In fact, Hiroshige has provided this bird's-eye view of the festival from a room in a brothel. A ceramic water bowl and a towel rest casually on the window ledge, and a set of rake-shaped hairpins lay on the floor, a gift from a man to his lover that implies "raking in" money in the coming year. In these dramatic compositions, Hiroshige manipulates the essence of a scene by offering an insider's view of the great city he called home.